When you combine a huge gathering of paint cans and the Belmar Arts Council, usually that means there's a mural in progress. Not quite the case here. Yes, some of us have been involved in a big painting project, but in this case it's the sets for a play. Pat Hutchinson, who has been a big part of our mural projects, agreed to be part of the effort to decorate the sets for the upcoming production of Spamalot at the Algonquin Arts Theater in Manasquan. For the past three weeks, she and some other volunteer BAC artists (including Bonnie Smith, Ralph McGeehan, Paul Bonelli, and Jim Aberle) have been lending their painting talents to create the backgrounds and scenery for much of the play.
One if the first things we worked on was a scary and expensive looking forest, painted on large pieces of burlap. A basic line drawing was created, and a grid was used to transfer it to two very large L shaped pieces, one for each side of the stage. A sketch done with markers for the left side forest can be seen above. Below, our painters have started to block in some simple colors.
In subsequent days, colors were added in the background, and layered color was used to indicate patterns of leaves and other natural features. Similar methods were later used to create a large piece that will hang between the two side L's
Those weren't the only trees painted. Above, Ralph paints two stylized freestanding wood trees, first with green paint last week, then today adding snow to the tops of the branches. Below, Pat works on a bit of scenery that will show the effects of a particularly nasty creature encountered by the play's hero. Our people were responsible for painting many other smaller freestanding pieces that will be on stage.
Another really big project was producing stone wall backdrops. Lucky for us, the stone was painted on cardboard backed with wood frames, because some of these sections are 20 feet tall. Once dried, these were carried to the stage and permanently attached to the main set. Above, Ralph and Jim are shown adding highlights to the "tops" of the stones. Below, more stone drawn and painted by Pat and Paul, on what had been raw wood just hours earlier, surrounded by the chaos of other construction, lighting tests, and a fog machine.